Portuguese Cinema

Etnografía y arquitectura en la exposición del mundo portugués de 1940 / Representaciones de la arquitectura portuguesa en el cine documental. Las aldeas portuguesas de la Sección Regional

Folklore / Architecture / Ethnography / Popular Culture / Vernacular Architecture / World War II / Cinema / Cinema and Architecture / Exhibition, Museum, Expositions and Worlds Fairs / Portuguese Architecture / Documentary / Cinema Studies / Portuguese Cinema / Lisbon (Portugal) / Traditional Architecture / SEGUNDA GUERRA MUNDIAL / World's Fairs / Cidade de Lisboa / Etnografia / Salazarism / Urbanismo Lisboa / Lisboa urbanismo arquitectura / Architecture and Cinematic Space / Documentário / Villages / Architecture and Public Spaces / Lisboa / International Expositions / Sistemas Autoritarios / Salazarismo / World’s Fairs and Other Expositions / ALDEAS MEDIEVALES / História Da Construção Em Portugal / Exposição Do Mundo Português / Cinematics and Architecture / Casa Portuguesa / António Lopes Ribeiro / Cinema Português / Film documentary / Arquitectura Portuguesa / Cultura Construtiva / Culturas Construtivas / Cultures of Building / World War II / Cinema / Cinema and Architecture / Exhibition, Museum, Expositions and Worlds Fairs / Portuguese Architecture / Documentary / Cinema Studies / Portuguese Cinema / Lisbon (Portugal) / Traditional Architecture / SEGUNDA GUERRA MUNDIAL / World's Fairs / Cidade de Lisboa / Etnografia / Salazarism / Urbanismo Lisboa / Lisboa urbanismo arquitectura / Architecture and Cinematic Space / Documentário / Villages / Architecture and Public Spaces / Lisboa / International Expositions / Sistemas Autoritarios / Salazarismo / World’s Fairs and Other Expositions / ALDEAS MEDIEVALES / História Da Construção Em Portugal / Exposição Do Mundo Português / Cinematics and Architecture / Casa Portuguesa / António Lopes Ribeiro / Cinema Português / Film documentary / Arquitectura Portuguesa / Cultura Construtiva / Culturas Construtivas / Cultures of Building

Migraciones subalternas en el cine. Del condenado de la tierra al cosmopolitismo del pobre

Latin American Studies / Portuguese and Brazilian Literature / Latin American and Caribbean History / Film Studies / Film Theory / Film Analysis / Brazilian Studies / Brazilian History / Philosophy of Film / Luso-Afro-Brazilian Studies / Film History / Latin American literature / Brazilian Cinema / Film Aesthetics / Subaltern Studies / Frantz Fanon / Latin American Cinema / Brazilian Literature / Film and Media Studies / Portuguese Cinema / Postcolonial Theory/Subaltern Studies / Cinema Novo / Graciliano Ramos / New Portuguese Cinema / Silviano Santiago / Decolonial Studies / Brazilian independent cinema / Nelson Pereira Dos Santos / Pedro Costa / Luso-Afro-Brazilian Cinema / Film Analysis / Brazilian Studies / Brazilian History / Philosophy of Film / Luso-Afro-Brazilian Studies / Film History / Latin American literature / Brazilian Cinema / Film Aesthetics / Subaltern Studies / Frantz Fanon / Latin American Cinema / Brazilian Literature / Film and Media Studies / Portuguese Cinema / Postcolonial Theory/Subaltern Studies / Cinema Novo / Graciliano Ramos / New Portuguese Cinema / Silviano Santiago / Decolonial Studies / Brazilian independent cinema / Nelson Pereira Dos Santos / Pedro Costa / Luso-Afro-Brazilian Cinema

Antedecentes históricos del cine del yo: El caso de Manoel de Oliveira

Portuguese Cinema / Manoel de Oliveira / Cine Domestico, Cine Autobiografico / Spanish and Portuguese Cinema / Autobiographical Cinema

La superación de los mitos fundacionales del imperio luso en el cine de Joao Botelho y Manoel de Oliveira

History of the Portuguese Empire / Portuguese Cinema / Manoel de Oliveira / New Portuguese Cinema / Cine Portugués / João Botelho

El reinicio de la cooperación cinematográfica hispano-lusa: 1939-1944

Spanish Cinema / Portuguese Cinema / Cinema and History / Cinema e História / Cine Español / History and Cinema

Tendencias estéticas del cine portugués contemporáneo

Film Studies / National Cinemas / Portuguese Cinema / Archival Film / Film Genres / Documentary fiction / Essay Film / Contemporary Portuguese Literature and Film / New Portuguese Cinema / Transnational Film/media / Gêneros Cinematográficos / Cine-ensayo / Ficción Documental / Cine Portugués / Metraje de Archivo / Estética de la Lejanía / Cines Nacionales / Cine Transnacional / Aesthetics of Distance / Documentary fiction / Essay Film / Contemporary Portuguese Literature and Film / New Portuguese Cinema / Transnational Film/media / Gêneros Cinematográficos / Cine-ensayo / Ficción Documental / Cine Portugués / Metraje de Archivo / Estética de la Lejanía / Cines Nacionales / Cine Transnacional / Aesthetics of Distance

EL CINE DE RAÚL RUIZ: POLÍTICAS ESTÉTICAS, ONTOLOGÍA DE LO FANTÁSTICO Y POLISEMIA VISUAL

Critical Theory / Semiotics / Sociology / Cultural Studies / Social Theory / Psychology / Clinical Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Neuropsychology / Optics / Psychiatry / Comparative Literature / Game Theory / Anthropology / Comparative Politics / Political Economy / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Applied Ethics / Art History / Education / Visual Anthropology / Media Studies / Social Work / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Art Theory / Visualization / Film Studies / Film Theory / European Cinema / Political Theory / Semantics / Literature / Sociolinguistics / Operations Research / Linguistic Anthropology / Sociology of Knowledge / Contemporary Art / Posthumanism / Literature and cinema / Visual Culture / Film Analysis / Educational Psychology / Social and Cultural Anthropology / Poetry / Cultural Semiotics / Arts Education / Cultural Theory / Visual Semiotics / Political Science / Theory of Mind / Surrealism / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Politics / Socialisms / Human Resource Management / Psychiatric & Mental Health Nursing / Contemporary French Philosophy / Poetics / Culture / Biology / Literary Theory / Film Adaptation / Anthropology Of Art / Friedrich Nietzsche / Pierre Klossowski / Martin Heidegger / Cognitive Neuropsychology / Social Media / Mental Health Counseling / Capitalism / Food and Nutrition / Italian Cinema / Exile / Visual Communication / Optical Communication / Film History / Georges Bataille / Cognitive Semiotics / Cognitive Linguistics / Chile / Nietzsche / History of Art / Peter Sloterdijk / Film Semiotics / Wittgenstein / Literature and Visual Arts / Film and Video Art / Hermeneutic Phenomenology / Imagination / Biopolitics / Pastoral Theology / Semiotics Of Culture / Hindi Cinema / Cinema / Contemporary Poetry / Socialism / Cognitive Neuroscience / Art and Independent Cinema / Documentary Film / Cultural Anthropology / Film Aesthetics / Visual Arts / Visual and Cultural Studies / Chilean Politics / Theatre / Social Semiotics / Exile Literature / Film / Georges Perec / Cinematography / Contemporary Philosophy / Socialist Realism / Film and Media Studies / Cognitive Poetics / Fine Arts / French Film / Estudios Culturales / Jean Genet / Arquitectura / Literatura / Sociologia / Cinema Studies / Portuguese Cinema / Comunicacion Social / Anthropology of Experience / Filosofía / Liberal arts / Arte Contemporanea / Filosofía contemporánea / Sloterdijk / Filosofia contemporanea / Contemporary Continental Philosophy / Antropología cultural / Artes / Arte / Filosofia do Direito / Historia del Arte / Antropología filosófica / Human-Centered Design / Sociología / Diseño / Antropología / Ciencias Sociales / Semiology / Semiótica / Arte contemporáneo / Biopower and Biopolitics / Dadaism & Surrealism / Trabajo Social / Psicologia Cognitiva / História da arte / Semiotica / Surrealism and film / Theatre Arts / Raoul Ruiz / Salvador Allende / Filosofía del arte / Historia y Teoria del Arte y la Arquitectura / Pshychology / Peliculas / Historia del Cine / Artes Visuais / Filosofia del arte / Theories of Socialism / Filosofía francesa contemporánea / Artes visuales / Filosofia contemporânea / Adolfo Vasquez Rocca / Existentialism, Absurdism, Surrealism / Surrealismo / Dr. Adolfo Vásquez Rocca / Revista Observaciones Filosóficas / Película Cinematográfica / Philosophy of Art and Design Education / Anthropology of Arts / Philosophy of Mind: Imagination / Semiotica Visual / Antropology / Antropologia / Filosofia / Psychology / Clinical Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Neuropsychology / Optics / Psychiatry / Comparative Literature / Game Theory / Anthropology / Comparative Politics / Political Economy / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Applied Ethics / Art History / Education / Visual Anthropology / Media Studies / Social Work / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Art Theory / Visualization / Film Studies / Film Theory / European Cinema / Political Theory / Semantics / Literature / Sociolinguistics / Operations Research / Linguistic Anthropology / Sociology of Knowledge / Contemporary Art / Posthumanism / Literature and cinema / Visual Culture / Film Analysis / Educational Psychology / Social and Cultural Anthropology / Poetry / Cultural Semiotics / Arts Education / Cultural Theory / Visual Semiotics / Political Science / Theory of Mind / Surrealism / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Politics / Socialisms / Human Resource Management / Psychiatric & Mental Health Nursing / Contemporary French Philosophy / Poetics / Culture / Biology / Literary Theory / Film Adaptation / Anthropology Of Art / Friedrich Nietzsche / Pierre Klossowski / Martin Heidegger / Cognitive Neuropsychology / Social Media / Mental Health Counseling / Capitalism / Food and Nutrition / Italian Cinema / Exile / Visual Communication / Optical Communication / Film History / Georges Bataille / Cognitive Semiotics / Cognitive Linguistics / Chile / Nietzsche / History of Art / Peter Sloterdijk / Film Semiotics / Wittgenstein / Literature and Visual Arts / Film and Video Art / Hermeneutic Phenomenology / Imagination / Biopolitics / Pastoral Theology / Semiotics Of Culture / Hindi Cinema / Cinema / Contemporary Poetry / Socialism / Cognitive Neuroscience / Art and Independent Cinema / Documentary Film / Cultural Anthropology / Film Aesthetics / Visual Arts / Visual and Cultural Studies / Chilean Politics / Theatre / Social Semiotics / Exile Literature / Film / Georges Perec / Cinematography / Contemporary Philosophy / Socialist Realism / Film and Media Studies / Cognitive Poetics / Fine Arts / French Film / Estudios Culturales / Jean Genet / Arquitectura / Literatura / Sociologia / Cinema Studies / Portuguese Cinema / Comunicacion Social / Anthropology of Experience / Filosofía / Liberal arts / Arte Contemporanea / Filosofía contemporánea / Sloterdijk / Filosofia contemporanea / Contemporary Continental Philosophy / Antropología cultural / Artes / Arte / Filosofia do Direito / Historia del Arte / Antropología filosófica / Human-Centered Design / Sociología / Diseño / Antropología / Ciencias Sociales / Semiology / Semiótica / Arte contemporáneo / Biopower and Biopolitics / Dadaism & Surrealism / Trabajo Social / Psicologia Cognitiva / História da arte / Semiotica / Surrealism and film / Theatre Arts / Raoul Ruiz / Salvador Allende / Filosofía del arte / Historia y Teoria del Arte y la Arquitectura / Pshychology / Peliculas / Historia del Cine / Artes Visuais / Filosofia del arte / Theories of Socialism / Filosofía francesa contemporánea / Artes visuales / Filosofia contemporânea / Adolfo Vasquez Rocca / Existentialism, Absurdism, Surrealism / Surrealismo / Dr. Adolfo Vásquez Rocca / Revista Observaciones Filosóficas / Película Cinematográfica / Philosophy of Art and Design Education / Anthropology of Arts / Philosophy of Mind: Imagination / Semiotica Visual / Antropology / Antropologia / Filosofia

TAUROMAQUIA Y CINE PORTUGUÉS: UNA APROXIMACIÓN HISTÓRICO-CULTURAL

Cultural Studies / Folklore / Film Studies / European Cinema / Popular Culture / Semiotics of the bullfight / National Identity / Film History / Portuguese Cinema / Bullfighting in literature / Torero / Bullfighting / Tauromaquia / Touradas / Campinos / Semiotics of the bullfight / National Identity / Film History / Portuguese Cinema / Bullfighting in literature / Torero / Bullfighting / Tauromaquia / Touradas / Campinos

La aventura Luso-Española: introducción al estudio de la coproducción cinematográfica hispano-lusa de los años cuarenta.

European Cinema / Iberian Studies / Portuguese Cinema / Producción cinematográfica / Cine Español / Spanish and Portuguese Cinema / Film Coproductions / Historia del Cine Español / Spanish and Portuguese Cinema / Film Coproductions / Historia del Cine Español

Manuel Guimarães, sonhador indómito - índice

Portuguese Cinema / Neo-realismo / Neo-Realism

Radical anxiety: Paulo Rocha and Portuguese cinema

Nouvelle Vague / Portuguese Cinema / Estado Novo / Lisbon (Portugal) / New Portuguese Cinema / Paulo Rocha

ADAPTACIÓN Y APROPIACIÓN EN EL CINE RELIGIOSO: FÁTIMA COMO ESPACIO CINEMATOGRÁFICO-TEOLÓGICO

Cultural Studies / Film and Theology / Spanish Cinema / Comparative Study / Portuguese Cinema / Hollywood Cinema

La condición estatuaria en el cine portugués contemporáneo

Portuguese History / Phenomenology of the body / Film Aesthetics / Portuguese Cinema / Mise-En-Scène
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